Does it really make sense to sit in an SUV and contemplate your parents' and grandparents' real estate and bank accounts during your life crisis? Is this the only way to feel safe and distract from anxiety? Writer and director Nora Abdel-Maksoud explores the deep social need for security in Jeeps. Her work examines the structural conditions of society, which simultaneously reinforce and negate class differences. With great precision and to a satirical climax, Abdel-Maksoud dissects our thoughts and actions based on account balances, willpower readings and premonitions of impending threats.
Nora Abdel-Maksoud was born in Munich and began studying acting in 2005 at the Konrad Wolf Film and Television Academy in Potsdam. She has been a freelance actress since 2009. In 2012, he presented his directorial and dramaturgical debut "Hunting von Trier", the version of the radio play of which was broadcast by Deutschlandradio Kultur. In 2014, he wrote and directed the play "Kings" at Ballhaus Naunynstraße. In 2015-2016, her production Die Geschichte von Buffalo Jim premiered at the Gorky Studio. In 2017, Nora also received the Kurt-Hübner-Regiepreis for directing The Making-Of. The 2018-2019 season saw The Sequel, the sequel to Abdel-Maksoud's award-winning directorial debut. The performance was nominated for the Friedrich-Luft-Preis in 2018. She recently staged the play "Rabatt" at the Gorky Theater
.The work of theater artists Naubert Jasinskas can be divided into two categories: the search for new theatrical forms and drama theater performances that offer to examine different perspectives of human relations. In 2022, he was awarded the Golden Cross of the Stage in the Young Artists category for the performance "bowel", in 2023 he was nominated for the Golden Cross of the Stage for the best direction for the performances "The End of Eddie" and "Pelikanas". The artists explore themes of patriarchy, gender, sexuality, class, and the power that binds these structures together.