Concept and choreography: Ioanna ParaskevopoulouPerformed by: Georgios Kotsifakis, Ioanna Paraskevopoulou
Dramaturgy: Elena Novakovits
Sound and technical audio service: Danis Chatzivasilakis
Lighting design: Eliza Alexandropoulou
Lighting design on tour: Eliza Alexandropoulou, Tzanos Mazis
Video engineer: Konstantinos Asimakopoulos
Scenography and costumes, video editing: Ioanna Paraskevopoulou
Visual Design: Bois Futuri
Wooden structures: Miltos Athanasiou
Producer: Ioanna Paraskevopoulou
Tour Management: Cultόpía & Ioanna Paraskevopoulou
Tour coordinator: Christina Liata (Onassis Stegi)
Production: Onassis Stegi, Athens
Tours are financed by: Onassis Stegi's "Outward Turn" Cultural Export Program
Special thanks to Eleni Tzarou, Thanos Daskalopoulos, Alexandros Tomaras

Premiere: 2022 At the 9th Onassis Festival of Young Choreographers.A soundtrack created right before our eyes…"MOS"* is a visual interaction of movement, sound and image, in which two performers voice cinematic scenes and series of moving images with the help of original sound devices and a distinctive plastic expression.The two performers play with different sequences of images to convey their own interpretation. The body and its (micro)movements co-exist with objects and materials to act as means of creating sound. The sonic experience grows stronger each time with bursts, distortions, pauses and repeats. Meanwhile, the audience becomes listeners to a temporary soundtrack that unfolds before them. By showing their personal photos, creating an adaptation of a film script or inviting the viewer to choose what they would like to hear, the performers mediate between the archival material and the audience. This work reinforces the narratives that emerge from the coexistence of seemingly incompatible archival sources and enables us to see what is often not easily seen or heard.One of the inspirations for MOS is the "coconut effect", a term used to describe any unrealistic sound effect added to everyday actions to make them stand out. This gives us an audio mix that sounds extremely realistic, but actually isn't. Objects such as bellows, umbrella, piston, etc. are transformed into animated, sound-producing media.* The word/acronym "MOS" has more than 20 definitions.Ioanna Paraskevopoulou is a dancer living in Athens. She graduated from the National School of Dance of Greece (KSOT) and is currently studying at the Department of Audiovisual Arts at the University of Ionia. The focus of her research is on the relationship between audiovisual media and movement. She has collaborated with artists such as Iris Karayan, Christos Papadopoulos, Dimitris Papaioannou, Alexandra Waierstall, Sofia Mavragani, Tzeni Argyriou, Patricia Apergi, Andonis Foniadakis, Harry Koushos and others. dance troupes in Greece and beyond.Ioanna was awarded as the best dancer in Konstantina Riza's dance film Sans Attente at the InShadow International Festival of Image, Performance and Technology and second place for her role in Maria Koliopoulou's play Mneme-21 at the 5th International Dance Festival in Algeria. 2019-2020 she was awarded an artist grant from the ARTWORKS Stavros Niarchos Foundation.For the dance film All She Likes Is Popping Bubble Wrap, she was awarded the Best Sound Design Award at the FIVideodanza Festival, Mexico and the Best Video Art Award at MIFVIF, Venezuela. She presented MOS at the 9th Onassis Festival of Young Choreographers and had its European premiere at Julidans NEXT (NL). 10 minutes duration MOS version entitled "Coconut Effect" won one of the four prizes at the 7th Danse Élargie Competition organized by the Theater de la Ville, Paris.She participated as a dancer in the Aerowaves program of the European dance network, together with the winners Iris Karayan (Mothers and Unauthorised) and Christos Papadopoulos (Elvedon and Opus), and this year the choreographer with the work "MOS" was included in the Aerowaves Twenty23 twenty most promising developers.ioannaparaskevopoulou.com