In her series "Bestiary", artist Laisvydė Šalčiūtė interprets the Anthropocene epoch, in which we all live, through the prism of medieval bestiaries and Renaissance kunstkammers. According to the artist, in our epoch, man has become a radical force, changing not only his own fate, but also the fate and structure of other forms of life. However, the artist interprets this phenomenon in an (auto)ironic way - not as an expression of human power, but as an expression of man's POWER. In these works, she tells stories about the ECONOMY, questions and ironically visualises the opposition - CULTURE VERSUS NATURE, provokes the viewer to reflect on the paradigms of politics, war and biophilosophy. In her work, Šalčiūtė practices methods of artistic appropriation and fiction creation as tools capable of paradoxically interconnecting digitised images found in the Internet stream with visual and verbal elements from different contexts and eras and classical aesthetics. "In Bestiary, the artist invites the viewer to reflect on the non-hierarchical valuation of all life forms and the possible ethical, moral and artistic relationships that may result from this. Titanikas (2nd floor) will be on show at the Vilnius Academy of Arts until 7 December.