The exhibition celebrating the artist's 70th anniversary features works never before exhibited. "I never hang works that have already been shown somewhere. Only new and never-before-seen ones," the artist has said. Silence is a state, silence is an action. In the latest works of the painter Liudvikas Natalevičius, silence is tamed. It is not for nothing that these works do not have a title; they are silence. Silence as time. Silence as place. Through abstraction, through the tunnels of luminosity, through the tunnels of light, through the tunnels of the beginning and the tunnels of the end (to write, according to the author, one must use one word, because it is like two ends of the same stick), canvases are like co-ordinates, capturing a state where one can come and stay in silence for some time. "A black and red stream enters the retina of the viewer's eye. Barely breathing, it shimmers, ripples. In the vortex of this stream, a ball of light is compressed and explodes with a force like a sneeze. The creature imprints itself in memory like a fossil imprint. The creature roars with its head bowed. One has the feeling that whoever is watching is connected to the roaring being by a bridge of silence. And both know that they have met at a time that was meant for meeting." (Audronė Urbonaitė) The exhibition will be on view at the KCCC Exhibition Hall (Didžioji Vandens g. 2, Klaipėda) until 19 January.