The sculptural ceramic art installation welcomes hybrid characters with zoomorphic bodies, using their charred or shimmering surfaces as if they were figurative spells, pointing to a mythological, fairy-tale, liminal world. By creating surreal, dreamlike and visually fragile figurations, the artist awakens the viewer's imagination, evoking an over-the-top experience, activating the senses for the unexpected. The insect-like "centaurs" grow alien limbs, bird skulls, stare at us with a cold gaze, dive not only from their shells, but also from the plants and human organs that become their occupied media, and disappear into the twilight, teeming with life. The tension here is created not only by the structures referring to frightening creatures, which are present in the darkened space when the viewer enters, but also by the sound background (music by Migloko) that envelops the exhibition, which unobtrusively enhances the sense of the environment charged with chirps, whispers and spells. Insects seem to lurk, sniff, glower, before finally catching the eye in mimically conjured art forms. The incantation here functions as a kind of shamanic rite, a method of facing one's fears, which, constantly irritated by the threatening reality, bring to light the phantoms of the past that lurk in each of our subconscious. The shadows of the shadowy creatures are highlighted as an ephemeral and vanishing rebus of the present day, designed to tame a world that is recklessly falling apart.