"Agnė Gintalaitė does not create images. She creates things that exist only in images. She tries to convince the viewer not to trust the "photographic" image. Why should it be distrusted any more than it already is? Agnė Gintalaitė sneaks into the photography gallery with a non-photograph that looks like a photograph. Who is the author and who is the protagonist in this exhibition? Who is the object and who is the subject - nature, man or artificial intelligence? Who is showing and who is looking? If you ask an artificial intelligence for a "man", you get a man, and if you ask for a "woman", you get a man's gaze. The artist's struggle with artificial intelligence in the field of image generation is a struggle with countless other people, with their preferences, with majority opinion, with mass taste ("meta-style" according to Lev Manovich), with social stereotypes, and with the prevailing understanding of what art is. However, as in any work of art, it is the decision-maker, the chooser, who makes the choice. Usually, the images selected are error-free, but Agnė is looking for the errors in this process, and the errors create a hybrid state of being that turns into a kind of visual projection of an inner emotional state, a sensory ecological anxiety, a blurring of the boundary between human and animal. Agnė Gintalaitė chooses error. A mistake turns into salvation." (Paulina Pukytė)