What happens when you try to display the museum itself? When you try to open up the physical, cultural and legal structures to highlight the ever-changing narratives of history? In Dainius Liškevičius' solo exhibition, this seems to be the trigger for a series of Obsessions - interweaving journeys into the world of objects and resources. By embarking on them, we risk encountering something even stranger than art - perhaps even our own ripe expectations in the cavity of an empty frame. It is the historical picture frames in the collections of the Radvila Palace Museum of Art, along with other exhibits and relics of activity, that become one of the most important parts of Liškevičius' exhibition. Displayed alongside the artist's collection of photographs and a specially produced film, they invite us to think about the margins and paradoxes of history, about the sustainability of culture in a world full of real challenges and threats. About the embalmed mummies that are the first to be thrown overboard in the storm of history - and the few irrational traces of life that separate us from them.