Obermaier works mainly with stones. However, her objects are conceptually quite far removed from traditional jewellery, although there is nothing radical in terms of form. This is as it should be. While formally staying within the boundaries of tradition, Obermaier's work is gentle and intuitive; she does not aim to shock or overwhelm, but to hook the strings of the viewer's or the wearer's memory, and to recall something forgotten from memory. Erasers, for example - we all had them at school, but now they have changed firstly in material and secondly in function. What was ordinary and banal is transformed after many years and causes a silent explosion of consciousness in us when we see that they are made of stone. That they are jewellery objects that demonstrate the artist's virtuoso craftsmanship. The grouping of the stones into groups, forming miniature structures, is just as silent and delicate. Translucent blocks of stones overlap each other, drawing the eye with their shades and textures. Obermaier's pins are the results of an intuitive process, born not from logic but from impulses and experiences that take time and silence to recognise and shape. The transparent stone pins do not speak in words, but in images; the stone erasers erase the words formed in the mind. In silence, intuition and imagination begin to unfold in forms that do not require words and stories. Shapes and colours, polished surfaces and textures are at work here. In the silence, thoughts and dreams unfold until the artist finds the most appropriate stone expression for them. The jewellery school-gallery Vilnensis (Dominikonų str. 7, Vilnius) will be open until 6 December.