The exhibition "Unalive" is broadly about contemporary information - its nature, content and speed. More specifically, it is an analysis of information about death, focusing not on the fact of death itself, but on its perception and evaluation. The exhibition is divided thematically into several parts. In the first part, the author is interested in how death is presented in the information space. "At the beginning of the war in Ukraine, Internet platforms were flooded with incredibly frank images of violence and death, which shocked the public. Later, social networks began to censor and block such images. As the shock of war affected me too, I succumbed to the impulse to reflect on what I was seeing and, after buying some cheap felt-tip pens (a child's tool closer to reality than oil paint), I started to draw war scenes. I didn't experience the casualties of war directly, so I drew through the filters of social and news portals. This process triggered thoughts about how we see and experience mass casualties in foreign countries. We see the most brutal war with advertisements, discounts and holiday offers. At the same time, it is both real and fake. In the information space, death becomes hierarchical and selective".