The composition of the exhibition consists of two seemingly disparate but thematically related parts. In the main exhibition halls, visitors will be greeted by works from The Crystal World series, inspired by James Graham Ballard's famous novel of the same name. These are large-format paintings depicting moments from events that have shaken society and the experiences of those caught up in them. "These images from, for example, the storming of the US Capitol, the public disturbances in Brazil and other events that cannot be explained by political motives alone," says Audrius Pocius, the curator of the exhibition, "are interrupted by encrusted amethyst crystals in the works of Lou Cantor. It is not for nothing that they recall the mysterious virus that crystallized the African continent in Ballard's novel. In the exhibition, it acts as a metaphor for the complex problems of social freedom and cognitive possibilities in contemporary society, against the backdrop of technologies capable of creating purposeful experiences." The second part of the exhibition, on display in Medusa's Video Capsule and the rooms leading to it, is dedicated to video works created especially for this exhibition, inviting a deeper insight into the themes of interest to the artists. Drawing on neuroscientist Ivan Pavlov's experiments with dogs, the four short films develop, from different perspectives, narratives about the origins, implications and challenges of behavioural science, applying its findings to behavioural modelling strategies and the design of communication technologies.