During her relatively short career in cinema, Germaine Dulac experimented with numerous techniques and explored cinematic responses to poetic and musical forms. She more or less invented surrealist cinema. The program dedicated to her consists of two films. "La Souriante Madame Beudet" is an example of an impressionistic narrative and also the first openly feminist film. It is an experimental thriller with a tense plot that revolves around an unhappily married woman. "L’Invitation au voyage" can be seen as a continuation of "La Souriante Madame Beudet," revealing the inner lives of eternal feminine characters and their dreams of freedom and sexuality through cinematic sensations. N-13 La Souriante Madame Beudet Dir. Germaine Dulac, France, 1923, 0.38 L’Invitation au voyage Dir. Germaine Dulac, France, 1927, 0.39 Films with Lithuanian and English subtitles. With live accompaniment by Matas Samulionis (electronics) and Dominykas Snarskis (drums).