The recent past. In the world, after the great catastrophe, computers, telephones and the Internet no longer work. There is no way to save or restore digital images created in the past. In this post-apocalyptic reality, a group of archaeologists, ethnographers and re-enactors search for artifacts left over from the old world. One day, they dig out of the ground a camera belonging to the Swiss firm Bolex International SA. According to archival material, Bolex cameras triumphed in the sixth and seventh centuries of the 20th century. in the decade. Their famous users included Andy Warhol, Terry Gilliam and Jon Mek. The latter shot all his films using Bolex alone. What director can do without a film set, technical crew and actors? Is one Bolex enough to make a movie? Intrigued by Meko's personality, the group members collect more and more material about him and his work. Jonas Mekas was born in the village of Semeniškii, in Northern Lithuania. He admired cinema and literature. He wanted to become a poet. in 1944 left the country together with his brother. He spent the next five years in German labor and refugee camps. in 1949 together with his brother came to New York, where his second life began. At a time when the possibilities of digital recording of reality are still very limited, Mr. Mekas develops his creative method by non-stop documenting everyday reality with a Bolex camera. The choice of moments that are immortalized on film is not subject to the fable of the script and the conventions of the genre. Mr. Mekas films only what he finds interesting for personal reasons. “There are many ways to shoot,” he said, “but you can only choose one at a time. Something inside of you, your entire past, directs you to do things in that only way. So you're not actually filming the tree, you're filming your memory of the tree. Film all the reasons why you are filming that tree now. And you have to combine those two things in yourself: the tree and the reasons for filming it." In this way, extremely subjective film recordings appear, reflecting the artist's perception of events, characters and memories. In the 1960s, when cinema structured movie genres and narrative charts in Hollywood, igniting consumers with stories from the Wild West or the Civil War, a Lithuanian refugee from Semeniškii created his own individual avant-garde cinema method, which impressed the entire New York art community at the time, with Andy Warhol at the forefront. Who was the humble poet from a small Eastern European country to whom the United States owes such an institution as the Anthology Film Archive? The research group, based on the surviving material about Jonas Mekas - his own diary written during the war and the first post-war years, interviews with Mr. Mekas and his filmed interviews with personalities such as Yoko Ono, John Lennon, Susan Sontag or Vytautas Landsbergis - tries to open up the phenomenon of this man and to get closer to his unique method, to register what is constantly missing in our daily experiences - the subjective truth of reality.