Pérez Prado ✝
(Dámaso Pérez Prado)
ПевецПрофессионал
МузыкантПрофессионал
КомпозиторПрофессионал
Аранжировщик музыкиПрофессионал
Биография
He studied classical piano in his early childhood, and later played organ and piano in local clubs. For a time, he was pianist and arranger for the Sonora Matancera, Cuba's best-known musical group at the time. He also worked with casino orchestras in Havana for most of the 1940s. He was nicknamed "El Cara de Foca" ("Seal Face") by his peers at the time.
In 1949, Pérez Prado moved to Mexico where he formed his own band and signed a recording contract with the International division of RCA Victor in Mexico City. He quickly specialized in mambos, an upbeat adaptation of the Cuban danzón. Pérez Prado's mambos stood out among the competition, with their fiery brass riffs and strong saxophone counterpoints, and most of all, his trademark grunts (he actually says "¡Dilo! ("Say it!") in many of the perceived grunts). In 1950, arranger Sonny Burke heard "Qué rico el mambo" while on vacation in Mexico and recorded it back in the United States. The single was a hit, which led Pérez Prado to launch a US tour. He was to record the song again some years later under the title "Mambo Jambo". Pérez Prado's appearances in 1951 were sell-outs. RCA Victor record producers Herman Diaz Jr. and Ethel Gabriel signed Pérez Prado to RCA Victor in the US and produced his best-selling recording of "Cherry Pink and Apple Blossom White.
Pérez Prado and his Orchestra performed at the famed tenth Cavalcade of Jazz concert held at Wrigley Field in Los Angeles which was produced by Leon Hefflin, Sr. on June 20, 1954.
Famous pieces
Pérez Prado is the composer of such famous pieces as "Mambo No. 5" (later a UK chart-topper for both Lou Bega in 1999 and animated character Bob the Builder in 2001) and "Mambo No. 8". The mambo craze peaked in the US in 1955, when Pérez Prado hit the American charts at number one with a cha-cha-chá version of "Cherry Pink (and Apple Blossom White)" (composed by French composer Louiguy). This arrangement, featuring trumpeter Billy Regis, held the spot for 10 consecutive weeks, sold over one million copies, and was awarded a gold disc. The song also went to number one in the UK and in Germany. Pérez Prado had first recorded this title for the movie Underwater! in 1954, where Jane Russell can be seen dancing to "Cherry Pink (and Apple Blossom White)". In 1958 one of Pérez Prado's own compositions, "Patricia", became the last record to ascend to No. 1 on the Jockeys and Top 100 charts, both of which gave way the following week to the then newly introduced Billboard Hot 100 chart, where in its first week had the song at #2 behind Ricky Nelson's "Poor Little Fool." The song also went to number one in Germany, and in the UK it reached number eight. The Italian filmmaker Federico Fellini chose to play "Patricia" twice in his 1960 masterpiece, La Dolce Vita, in the restaurant on the beach and during the striptease scene.
While his career in the US had declined, his popularity in Latin America was still strong, and he toured and continued to record material released in Mexico, Central and South America, as well as Japan, where he was still revered as one of the reigning giants of the music industry. Prado was a regular performer on Mexican radio and television; a live concert recording from his 1973 tour was released by RCA in Japan on LP in Quadraphonic sound.
In 1981, Pérez Prado was featured in a musical revue entitled Sun, which enjoyed a long run in Mexico City.
In 1949, Pérez Prado moved to Mexico where he formed his own band and signed a recording contract with the International division of RCA Victor in Mexico City. He quickly specialized in mambos, an upbeat adaptation of the Cuban danzón. Pérez Prado's mambos stood out among the competition, with their fiery brass riffs and strong saxophone counterpoints, and most of all, his trademark grunts (he actually says "¡Dilo! ("Say it!") in many of the perceived grunts). In 1950, arranger Sonny Burke heard "Qué rico el mambo" while on vacation in Mexico and recorded it back in the United States. The single was a hit, which led Pérez Prado to launch a US tour. He was to record the song again some years later under the title "Mambo Jambo". Pérez Prado's appearances in 1951 were sell-outs. RCA Victor record producers Herman Diaz Jr. and Ethel Gabriel signed Pérez Prado to RCA Victor in the US and produced his best-selling recording of "Cherry Pink and Apple Blossom White.
Pérez Prado and his Orchestra performed at the famed tenth Cavalcade of Jazz concert held at Wrigley Field in Los Angeles which was produced by Leon Hefflin, Sr. on June 20, 1954.
Famous pieces
Pérez Prado is the composer of such famous pieces as "Mambo No. 5" (later a UK chart-topper for both Lou Bega in 1999 and animated character Bob the Builder in 2001) and "Mambo No. 8". The mambo craze peaked in the US in 1955, when Pérez Prado hit the American charts at number one with a cha-cha-chá version of "Cherry Pink (and Apple Blossom White)" (composed by French composer Louiguy). This arrangement, featuring trumpeter Billy Regis, held the spot for 10 consecutive weeks, sold over one million copies, and was awarded a gold disc. The song also went to number one in the UK and in Germany. Pérez Prado had first recorded this title for the movie Underwater! in 1954, where Jane Russell can be seen dancing to "Cherry Pink (and Apple Blossom White)". In 1958 one of Pérez Prado's own compositions, "Patricia", became the last record to ascend to No. 1 on the Jockeys and Top 100 charts, both of which gave way the following week to the then newly introduced Billboard Hot 100 chart, where in its first week had the song at #2 behind Ricky Nelson's "Poor Little Fool." The song also went to number one in Germany, and in the UK it reached number eight. The Italian filmmaker Federico Fellini chose to play "Patricia" twice in his 1960 masterpiece, La Dolce Vita, in the restaurant on the beach and during the striptease scene.
While his career in the US had declined, his popularity in Latin America was still strong, and he toured and continued to record material released in Mexico, Central and South America, as well as Japan, where he was still revered as one of the reigning giants of the music industry. Prado was a regular performer on Mexican radio and television; a live concert recording from his 1973 tour was released by RCA in Japan on LP in Quadraphonic sound.
In 1981, Pérez Prado was featured in a musical revue entitled Sun, which enjoyed a long run in Mexico City.
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