This exhibition tells the story of Justinas Mikutis, a symbol of civil disobedience in Soviet Lithuania. For his profound insights, he is still called a philosopher, a thinker, even a prophet. In an atmosphere of fear and uncertainty, Mikutis attracted many creators with his freedom of thought. His erudition contrasted with the primitiveness of official ideology. He was imprisoned in a Siberian camp for a decade, and even asked for the rest of his sentence to be commuted to firing squad, but returned crippled. He was deeply affected by the traumatic experience, but his posture is the courage of someone who was not afraid of the system and had nothing to lose. The title of the exhibition is based on the poet Vytautas Mačernis's often-quoted words from his 1937 poem Miražai. The poet's words "Passenger on the move" are a fitting description of Justinas's constant state of mind: he is always on the move - going from one friend's house to another, staying in artists' studios, visiting relatives, accompanying artists in Žemaitija, or wandering the streets of Vilnius. The exhibition's narrative is divided into four parts. Christian Samogitia connects the places that attracted artists and outsiders during the Soviet era. Their travel experiences are depicted by folk art objects and professional works from Beržoro, Gintaliskė, Notėnai - Samogitian localities that have retained their ethnographic distinctiveness and are therefore of great importance to artists. In the 1980s and 1990s, young artists seeking seclusion were attracted to the homestead of Barbora and Vladas Didžiokas in Dovainonys, near Rumšiškės. The atmosphere of this place - objects, meetings, moods - is embodied in photographs and paintings. The prison is the shocking path of Mikutis's suffering and one of the most important memorabilia - Mikutis's criminal file from the Lithuanian Special Archive. The Trajectories of Freedom presents works from the 1960s to the present day. These include portraits and dedications created by artists who resisted the official rules of Soviet art. The influence of Mikutis's values is very important in their work. The exhibition also includes works painted while Justin was posing at the Vilnius Art Institute (now the Vilnius Academy of Arts). Mikutis valued communion with his students, calling them "almost the only rays of light in his foggy and frustrating life".