Lithuanian Classics Days invite you to rediscover Lithuanian cinema. On 13-14 September, the free event "Lithuanian Classics Days" organised by the Lithuanian Film Centre will invite cinema lovers to the big screen in eight cities - Vilnius, Kaunas, Klaipėda, Ukmergė, Vilkaviskis, Pasvalys, Marijampolė and Anykščiai. For the fifth time, the Classic Cinema Days invite the audience to rediscover, and perhaps see for the first time, films that have earned the title of Lithuanian classics. All the films screened have been restored, digitised and adapted for the big screen.This year's Classics Days will open with the Lithuanian melodrama Summer Ends in Autumn (1981), directed by Gythis Lukšas.  The film tells the story of Vilnius, who grows up without a father. His father was imprisoned for many years because of a serious accident. However, when he regained his freedom, he did not immediately return home. During that time, his wife died. When his father returns many years later, two strangers with no past meet. Father and son rent a room with a young widow, work together, and day after day they work out their acrimonious relationship. Three lonely people live under one roof. Inevitably, two of them begin to form a bond of love.The opening film will be screened on 13 September at 18:00 in Vilnius, at the cinema "Pasaka" in the Old Town (St. Ignatius street, 4). The film will be introduced by film critic Neringa Kažukauskaitė.The films have been selected by the exhibitors themselves for their repertoires from the catalogue of restored films of the Lithuanian Film Centre, which is growing every year. In addition to the above mentioned film, this year's repertoire includes 12 restored films. Lithuanian audiences are invited to see legendary films such as Children from the American Hotel (dir. A. Banionis, 1990), Nut Bread (dir. A. Žebriūnas, 1978) and The Devil's Bride (dir. A. Žebriūnas, 1973) in a new way, as well as the no less well-known The Feelings (dir. A. Grikevičius, A. Dausa, 1968). ), "My Little Wife" (dir. A. Banionis, 1985), "A Woman and Her Four Husbands" (dir. Algimantas Puipa, 1984), "I Can't Remember Your Face" (dir. R. Banionis, 1988), "Living Heroes" (dir. A. Žebriūnas, B. Bratkauskas, V. Žalakevičius, M. Giedrys, 1959), Last Day of the Holiday (dir. A. Žebriūnas, 1964), Adam Wants to Be a Man (dir. V. Žalakevičius, 1959), March! March! Tra-ta-ta!" (dir. R. Vabalas, 1965), and "Adult Games" (dir. I. Rudas-Gercovskis, A. Kundelis, M. Giedrys, 1967).All screenings of the Lithuanian Classics Days are free of charge.The event is organised by the Lithuanian Film Centre and takes place on 13-14 September. Full programme of the event in Marijampolė, "Spindulis" cinema (Kauno g. 13, Marijampolė):13 September, 17:30 (small hall) "A Woman and Her Four Husbands" (dir. by A. Puipa, 1984) A feature film directed by A. Puipa based on the novel "A Novel in the Dunes" by Danish writer Holger Drachman. The action is set in the old Lithuania of the Little Lithuania.In the 19th century, at the foot of the dunes in the Curonian Spit, a fisherman's hut, constantly filled with sand, stands. An old fisherman and his two sons live there. One day, a woman wanders in. One by one, the sea takes her loved ones. But life goes on - new life, new worries, new hopes emerge. "With this work, director A.Puipa has opened up to himself (and to Lithuanian cinema as a whole) a picturesque, strange, and unfamiliar material of Lithuania Minor. It is treated with care, but in a non-british way, "fantasising", as the author himself said, a number of realities. Since "A Woman and Her Men" approaches a saga, an allegory, a philosophical parable, the characters of the work - despite the exclusivity of place and time - do not even have names: simply men and women, the eternal struggle with the threatening, albeit fascinating, nature, the necessity of survival, the natural, universal circle of the coexistence of nature and man," Saulius Macaitis. 14 September, 5:30 pm (small hall) "Feelings" (dir. A. Grikevičius, A. Dausa, 1968) The war is ending, on one side of Kuršmariiai there are still the Germans, on the other side - the Soviets. Morta, the wife of Kaspars, a fisherman from the Seaside, dies in childbirth. The young widower, left with his twins, moves across the bay to his brother Andrius, who lives with Kaspars' ex-girlfriend Agne. The latter does not hide her dissatisfaction and turns the newcomer in to a policeman. This film, which tells the drama of fisherman Kaspar's feelings, is characterised by a strong national colour. The themes of love, loyalty, duty, and complex inner struggles are set against the backdrop of the first post-war years. The story of intimate relationships turns into an almost epic picture of time and its impact on people. With the exception of Lithuania, the film was banned from being shown throughout the Soviet Union.