In Gediminas G. Akstinas's work, the form, material and technological features of the objects act like a coordinate system, marking the common origins of artworks and objects of industrial production, and at the same time, the contradictions that arise between them. One of the core elements of the exhibition is the drawing grid, which anticipates the scale, perspective and codimensionality of the objects. Its motif appears in the exhibition as a virtual plane that determines the conditions of the objects' emergence as much as the possibilities of experience. According to Audrius Pociaus, the director of Medusa, this grid also becomes a conceptual matrix for the interpretation of the artwork, in which the purposefulness of production as a technological process is suspended, and the object itself is freed from its predefined function. "In Akstin's works, art is first and foremost a technique of imagination," Pocius continues, "which reveals new and unexpected possibilities of experiencing the already material processes of making things and the formal properties of objects." The exhibition will be open at the Medūza Gallery (Šv. Jono g. 11, Vilnius) until 7 December.