Graduated from the Lithuanian Art Institute in 1959. From 1965 he taught at the Vilnius M. K. Čiurlionis Art Gymnasium. Since 1960 he participated in exhibitions; individual painting exhibitions in Vilnius (1961, 1981, 1984), ex-libris exhibitions in Vilnius (1976, 1984), Voersa (Denmark, 1971), Minsk, Lublin (1977), Italy, Hungary.
He has painted thematic compositions (mainly of ancient and historical themes) (the cycles "Blind Oedipus" - 1961, "Prodigal Son" - 1964-1981, "Knights", "At the Table" - both 1965-1975, "The Knights", "At the Table" - both 1965-1975, ",Theatrical Cycle" - 1974-1980, "Sigismund Augustus and Barbora Radvilaitė" - 1972, "Movement through Silence" - 1983-1984), portraits ("My father-in-law" - 1973, Jonas Rustemas - 1979), still lifes and landscapes. He created estamps (cycles "Weeping Women" - 1963, "Tilted Figures" - 1981-1984), book illustrations (J. Janonis' "Poklius tykoja kas dne" 1960, K. Donelaitis' "Metai" 1966), ex-librises (A. Kaunas, 1968, S. Pilka, S. Kuzma - both in 1973, A. Švažas, M. Martinaitis, J. Tornau - 1967 (all three at the LDM); he was one of the initiators of the ex-libris movement), mosaics (the facade of the Vilnius City Clinical Hospital, 1967), medals, and he has decorated theatre performances (scenery for the Leningrad theatre) and films ("Ave Vita" 1969, directed by A. Grikevičius, and "The Exchange" 1977, directed by R. Vabalas)
V. Kisarauskas was one of the first in Lithuania to develop the technique of collage, photomontage, and assemblages ("The First Day of Blind Oedipus" 1975, "The Old King" 1982). He created mosaics (on the facade of the current Vilnius City University Hospital, 1967), medals ("36 Years of Valentin Antanavičius" 1972, "Poet-translator Sigitas Geda" 1986).
The artist's artwork dealt with existential problems, developed ancient, biblical, historical themes, and the plots of classical literature. The works are characterised by dramatic tension, constructiveness; the composition is static, based on contrasts of horizontal and vertical, space and form. Generalized, expressively deformed (often stereometric) shapes, vivid contrasting colours. One of the most interesting qualities is the ability to combine constructiveness with a suggestive expression of feelings, to give life and intrigue to a rational composition.
