Lydia Vallimäe-Mark was born to linguist Julius Margi and sculptor Kristine Mei as one of four daughters. He was educated in art in 1943 from 1949 1949at the Higher School of the Arts in Pallas and the National Institute of the Arts of Tartu. After graduating, Vallimäe-Mark took up a job as a laboratory at the University of Tartu. Between 1952 and 1954, he worked as a non-commissioned artist at the Art Foundation's Tartu Workshop, from 1953 to 1953-1973.
Lydia Vallimäe-Mark was in close contact with her co-workers, of whom was Ülo Sooster.
He was part of the 1960s group, which manifested his creations based on the legendary Tartu 8 language based on his modernist artistic language. In a high school exhibition.
The most compelling part of Lydia Vallimäe-Marg's creation is the portrait. He has also cultivated act and landscape paintings, figurative composition, urban views and later creative periods of abstraction and surreal murals. Several critics have drawn parallels with the colour of Renaissance-Anths artists and technical virtuosity when describing the painting of Vallimä-Marg. His sensitive sense of chorus and landmarkness are appreciated. Since the mid-1950s, the paintings have been more decorative, with a strong drawing and nuanced collar.
The illustrations of children's books are an outstanding part of Lydia Vallimäe-Marg's work, which also reveals the artist's lyrical sense of the world and the glittery colour approach - images of brothers' Grims "Lumee" by Ellen Nile "The Midland," Friedrich Reinhold Kreutzwald's "The Golden Pasttra," Jakob Kunder's Book of Great
Vallimäe-Mark began appearing in exhibitions from 1956; his personal exhibitions have been at the Tartu Art Museum in 1976 and 1985, at the Tartu Kyle Gallery in 1993 and 1995.
Vallimäe-Mark has been a member of the Association of Artists of the Soviet Union of the Soviet Union since 1957. Member of the Pallas of the Arts Society.
