Eglė Lekevičiūtė's range of work is quite wide - she presents her projects and installations not only in exhibitions but also in theatres. In terms of values, the altruistic approach and the educational element that grows out of it, as well as the interactive exploitation of the different senses of the viewer are important for the artist. The author does not forget the audience of the younger generation. Her installations are scenographic spaces for "fluxive" play and experience, an independent stage for the viewer, whose frames are set by the author herself. Lekevičiūtė has fulfilled this aspect in the exhibition "not to LIE" by breaking the museum idea of art communication and representation and encouraging the participant to take part in the process of perceiving the work not only mentally, but also physically, not only passively, but also critically. Noting what she considers to be a lack of involvement of the audience, the author desacralises the artwork, turning it into a tool for the participant to express his or her own creativity and to overcome the unwritten boundaries of the artwork's sanctity.
Visually, Lekevičiūtė's work often includes a scenographic element. Theatrical lighting, DIY principles and ready-made's become elements of a theatrical playground. Carelessly simple means of expression and materials - as in (e.g. "Glass Floor", "Labyrinth of Boxes") - in themselves convey the openly inviting freedom of the works, speak of unlimited possibilities for the unrestricted expression of creativity, and unpretentiously offer the participant to engage in a dialogue with the artwork.
