Galliano's command of his instrument's capacity for emotional portrayal, danceable rhythm and distinctive dynamic variation is undoubted and clear throughout this beautifully recorded recital (part of the Swiss Radio Days series). If there is what we might recognise as jazz improvisation, it is masked within his commitment to the New Tango concept as well as to Jazz Musette. Each is apparent here, and given the latter's emphasis, it's no surprise that Giniaux's occasional guitar solos are Django-esque. There is no swing here, rather music of compelling beauty, a piece like Piazzola's ‘Chiquelin De Bachin’ enhanced by Imbert's superb arco bass, Giniaux's cello and their sweeping, combined ‘orchestral’ backdrop. There is variety here, and consummate mastery, too, wrapped in an elegant fusion of tango, classical, and musette, And some jazz? Yes, for the already convinced and those seeking insight into Galliano's unique musical sensibility.